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Fashion Trends

STRIKE A PHOTOGRAPHIC POSE: HOW TO AND NOT TO Friday 29th August 2008

Even Sienna Miller can't get away with being photographed eating
Even Sienna Miller can't get away with being photographed eating
Dita Von Teese always gets her 'red carpet' stand right - we suspect she has practiced
Dita Von Teese always gets her 'red carpet' stand right - we suspect she has practiced

I learned everything I need to know about fashion, happy snap posing and image from Facebook. Yes. All I have to do is flip through my friends list to see who knows how to 'vogue' and who will always be a camera dag. Who can make frizzy hair, narrow shoulders and a simple T-shirt look like chic, and who is trying way too hard with a cocktail in one hand and a small dog in the other?

Camera shy? There is no such thing these days as everyone is so utterly bombarded with posed images: the age of the celebrity has stolen the innocence of the ordinary snapshot. Even my three year old son knows how to do the chin tilt with one lifted shoulder. So if a toddler can get his freak on for the lens then so can you!

It's not a matter of vanity but rather history. Grandkids won't remember the girl in the great dress with a hand in front of her face and that hunk skimming through Facebook now wants to see a shining open smile rather than a frozen grimace. And that's the funny thing about having a good photograph taken. If you wind up looking lovely no-one would dare accuse you of vanity, they simply want to know your secret.

Here are some useful tips on how to 'Strike a Pose' thanks to the very helpful advice that NIKON have shared with me

HOW NOT TO POSE
•        Call it emotional magnetism but often in a group shot everyone clumps together and leans in – don't do it. The footy huddle distorts your body shape to unflattering Cubist angles, flashes boobage and makes creates fish face.

•         Maybe this gets a bit predictable on the red carpet but….always stand slightly on an angle –it slims the hips, lets you peek over your shoulder like Dita Von Teese and lengthens the body.

•          Avoid being photographed eating. Jerry Hall stressed this in her memoir "Tall Tales". In her book lips are for blowing kisses and sipping gold rimmed goblets not gnawing on chicken bones.

•         Try to find an expression for every occasion that is not a "photo" face. We all have the one friend who surfaces in every image pouting like Bardot or doing "Blue Steel" ala Zoolander. They look artificial and in years to come they will cringe at the artifice.

•        Sorry, but I am marching you back to the mirror to practise your Kate Moss "post orgasm" smile and your Kate Middleton "meeting the Queen" massive grin. Have a look. Have a laugh. And release a little more magic with every click of the shutter. If all else fails re-rent Austin Powers. I have never seen a bad snap of a woman mouthing the words YEAH BABY.

HOW TO STRIKE A POSE
•         Imagine yourself in towering Prada heel, even if you are barefoot in the grass! Good posture elongates your line, slices pounds off and evades the possible ambiguous folds that slouching creates.

•         For those oh-so-contrived-but-we-love-'em-Thelma-and- Louise style self portraits – hold that camera up.  A flash from above gets rid of any (extra) chins and casts you in a more flattering light.

•         Have a good go at smiling in the mirror; try it playing music you love, laughing with friends, sipping a teacup of champagne. The smile you give the world should be like the smile you give the person you love most: full wattage, teeth and all!

•         Carry a compact for quick scans of nose shine and missing dental spinach.

•         Look into the lens & enjoy the photo. Imagine someone utterly luscious is snapping you. Even if Granny ain't Avedon in 1967.

•         Wait for the flash. Hold your pose. Especially with cameras such as Nikon that have red eye reducing technology. The camera fires off initially to reduce red eye before capturing the final image.

•        When in a cocktail dress or mini angle, keep the knees to one side & point your toes otherwise your gonna' be the thigh monster, the fat knee chick or the knicker flasher. Liz Hurley routinely ignores this advice. Especially at weddings!

•          Light concealer and even very translucent light diffusing makeup comes up roses in photos. White chalky concealer, lipstick missing in the middle, heavy eye-liner streaky fake tan and too much blush or powder just waste the film.

What's Not by Anna Johnson

What's Not
by Anna Johnson

Anna Johnson has been a journalist for TV, print and radio for twenty one years. Exactly half her life. She was a regular contributor to Vogue, Elle, Marie Claire, Conde Nast Traveler, The Australian and The Sydney Morning Herald before concentrating her energies on her own books. Three Black Skirts is now translated into 17 languages. Handbags: The Power of the Purse has sold a quarter of a million copies and her new book The Yummy Manifesto is being written for Random House, US.